Robin Rivers

I’ve made a huge dent in The Woman On The Wall this week, finally hitting my flow in the balance between the modern-day timeline and the historic epistolary component.

Incorporating the fictitious journals and letters of Francesco Melzi and determining their role in the storytelling process has, to be honest, posed the biggest dilemma for me. How I approached them would determine the entire tone of the novel.

Would it be a thriller?

Would it be a historical drama?

I went with a love story full of magical realism as our adoration of the Monda Lisa is nothing short of a torrid romance.

To drive this level of intoxication, mystery, and obsession, I turned to Griffin & Sabine this afternoon. Nick Bantock may qualify as the grand master of epistolary storytelling with his series, leading us through the mysterious connection between two unlikely lovers.

I’ve made myself swoon. 😉