The Deep Edits Are Almost Done

This part of the editing process for me has been intense. I’ve spent almost twelve weeks re-writing The Woman On The Wall and really shifting my mental approach to storytelling.

It’s beautiful, really. I’ve learned so much about myself and discovered that I truly love writing historical thrillers (turns out all of those years of journalism are paying off).

Now, to get it off to the lovely Claire Mulligan for a line edit.

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