Fontevraud – Robin Rivers

Where do you find a literal moment’s peace in the midst of fear and anxiety?

For me, it’s the songs of the heavens. I find it strange to write those words because religion and I broke up a long time ago as I searched for my own connection to the Beyond.

I’ve been, at times, an angry agnostic—the collective mindset of religion and its history of believe or be banished is not my thing and often it was easier to think it wrong rather than see it as a different entry point into the mysteries than my own.

My experience in France last year shifted that perspective beyond what I ever imagined.

I find it wonderful and synchronistic in that it happened at that same time I immersed myself in a deep exploration of the potential of collective conscious. Could I, as part of the collective, expand the larger ability to create by understanding my own ability to generate personal consciousness? Could I heal myself and my family with self-compassion? Could I change the energy and the perspective of those around me just by working on how I contribute to the collective?

Yes, my friends. Oh my, big oh my, yes.

That whole concept of what you put your energy into is what multiplies in your life is real. Manifestation is fast and absolutely magical when directed to a single point and combined with doing the necessary work. Just ask Jason Rivers or the light-bringer Elana Epstein, or my provocative, thoughtful friend Lindsey Lewis. They are vessels of the power, showing us that getting in the driver’s seat of your life and believing in yourself means the possibilities are endless—if you are open to them.

The songs of the heavens, which alighted upon me during a powerful day of observed silence at Abbaye Royale de Fontevraud in France, brought all of my exploration around collective consciousness into perspective. It and the deep power which the abbey held opened me to the real potential of human energy and how we as a collective can rise above that which seeks to drain us.

It is through the echo of these majestic voices that I stepped away from the anger attached to my agnostic search for meaning. Collective prayer, sacred space, those places where the connection to the Beyond are profound, are crucial to driving the energy of the Earth upward and into the realm of deeper awareness of who we are. One is not better or stronger or righter than the other, they are deep sources of our ability to seek out and multiply that which we have forgotten is our OWN light and how one person’s growing light illuminates for others.

Illumination is not the easy path. In fact, self-examination and the true creation of light is one of the most challenging paths any of us will ever take. However, the songs of the heavens give me space to see, for a moment, the value in that work and the illumination that awaits all of us if we come together and rise.

I return to this brief song as often as I need to—after a crazy morning with the kids, in the middle of the night after my dreams take me beyond comfort, when I require a portal in time to write, when communing with the Beyond offers me a necessary sojourn.

Whether your path looks like mine or not, I hope this hymn brings you a bit of respite from the rest of the world today.

Here’s to driving ourselves in the direction of collective illumination.

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Pandemic, Day 2. The voices of the heavens bring a moment of peace.

A post shared by Robin Rivers (@robinmrivers) on Mar 13, 2020 at 12:06pm PDT

Oct. 12, 2019:

In the quiet of the Grand-Moûtier at Abbaye Royale de Fontevraud, the wind carried on it the constant whisper of a thousand years.

I sat, regretful in my exhale, as the Abbey sleeps.

It is the silence when I am the most terrified and at peace. I lingered on the waxing moon, just three days short of full release, and shook.

This place—this holy, sacred, venomous, cruel place—soothed me in the darkness, and I submit.

Midnight, at Fontevraud.

The twenty-four hours I spent in seclusion at Fontevraud reshaped me as a person and also reshaped the storyline of Woman On The Wall in profound sorts of ways.

It was here that I learned of the legacy of the Boubons, of the underground river of Fontevraud, the cloisters, the immense power of the Abbess of Fontevraud, and the remarkable features of this place that help us all reach beyond the veil.

It is my hope to return to Fontevraud soon and spend a significant amount of time doing some serious study of the site, as it has emerged as the Mother House—the pivot point—which every story/novel that comes from my work on the Woman On The Wall will revolve.